Portrait of the fictional noir-pop artist Mascha Sonnenburg by a café window.

Fictional Character · Noir-Pop · A Mind of My Own

Mascha Sonnenburg

Black Hair. A Mind of My Own.

An AI-assisted fictional artist from the world of Torsten Schönberg's novels.

I'm Mascha Sonnenburg. I listen closely, prefer to think for myself, and get suspicious when someone decides they know what I'm like after two sentences. My music is dark. That doesn't mean I scowl all day. You have to surprise people once in a while.

Grebendorf. This Is Where It Starts.

I'm twenty, and I'm from Grebendorf in Hesse, Germany. In my family, I'm considered the black sheep. With black hair, at least I'm consistent. What matters more to me is deciding for myself how I want to live. Just because something has always been done a certain way doesn't mean I have to do it again.

The hare sculpture called Sandhase belongs in this picture from Grebendorf. Next to him, even I look as if I could keep still for a moment.

AI photomontage: Mascha stands next to a hare sculpture on a rock in Grebendorf, with half-timbered houses in the background.
AI PhotomontageGrebendorf. The hare seems to be in more of a hurry.

My Brother Juri. Unfortunately, We Often Disagree.

Juri is ten years older than I am. He likes having a plan. I like asking whether the plan makes sense. That leads to conversations that probably look like arguments from the outside. Sometimes they are.

Still, he's my brother. I don't have to understand every decision he makes to stand by him. You can usually tell that someone matters to me by what I do, rather than by how long I talk about it.

Small Forms. My Own Choices.

Designing intimate jewelry is part of my life. What interests me is the small, personal, self-chosen nature of it. Not all jewelry is meant for an audience. I find that remarkably sensible.

I like people who say what they mean and listen to me. Closeness matters to me. It just doesn't need a ready-made plan.

My Music. Quiet Doesn't Mean Voiceless.

My songs move between dark trip-hop and noir-pop: deep bass, an intimate voice, and melodies meant to linger even after everything goes quiet again. I sing in English and Slovak.

In “Sugar on the Snow,” Vienna looks beautiful and innocent. I'm not so sure. A beautiful surface is no proof that everything underneath is all right.

Sugar on the Snow

English Version · 3:53

Vienna in winter, beautiful façades, and the question of what the snow conceals.

Cukor na snehu

Slovak Version · 3:40

The Slovak version of “Sugar on the Snow”—with the same question beneath the surface.

On my music page, I explain why I sing and why my songs also take shape in Slovak.

More about my music

Both singles are scheduled for release on music platforms on .
“Sugar on the Snow” and “Cukor na snehu” are scheduled to be available there for streaming and, where offered, download from that date. You can follow Mascha on Spotify now.

The albums will be released in December 2026. Look forward to “Velvet Has a Voice” and its Slovak companion, “Zamat má hlas”.

Not Every Day Needs a Soundtrack.

There's more to me than dark song covers. Among half-timbered houses, rocks, and grand settings, I'm allowed to smile once in a while. I don't always have to look as though I know something other people would rather not find out.

This image series portrays Mascha against real locations. These are AI photomontages, not documented travels or life events. Individual image details may differ from the original photographs.

France. Black Works in the Sunshine, Too.

Between château walls and the coast, there's room for a wider view; at Mont-Saint-Michel, the seagull gets its own moment. And in the dragon boat, for once, I don't have to keep anything under control. It moves along without my opinion.

AI photomontage: Mascha leans against a stone parapet in front of Château de Chenonceau by the water.
AI PhotomontageChenonceau. A grand setting, a short break.
AI photomontage: Mascha stands in black clothing on a rocky coastal path in Brittany, with the sea and tall rocks behind her.
AI PhotomontageBrittany. Here, the wind can do the talking.
AI photomontage: At Mont-Saint-Michel, Mascha reaches one hand toward a flying seagull; the abbey and other visitors are visible behind her.
AI PhotomontageMont-Saint-Michel. The seagull has plans of its own.
AI photomontage: Mascha sits in black clothing on a low stone wall in front of a château in Brittany, with plants growing in the foreground.
AI PhotomontageBrittany. A pause in front of the château walls.
AI photomontage: Mascha sits in a dragon boat at Parc Astérix, smiling and waving.
AI PhotomontageParc Astérix. Being serious can wait.

Levoča (Slovakia). Plenty of Room for My Own Thoughts.

In the square, I can let my gaze wander. After all, being able to see me doesn't mean you've figured me out.

AI photomontage: Mascha stands on the left in the foreground of a paved square in Levoča, with historic buildings and a clock tower behind her.
AI PhotomontageLevoča. Plenty of room for my own thoughts.
AI photomontage: Mascha stands behind the bars of an iron cage in Levoča, resting her forearms on a crossbar.
AI PhotomontageLevoča. Putting someone in a box isn't the same as understanding them.

Cake Needs No Explanation.

A small cake, candles, and a moment that's mine. What I wish for is my secret.

AI photomontage: At a set table, Mascha holds a small cake with three lit candles and blows toward the flames.
AI PhotomontageThree candles. The wishes stay private.

Before She Sang, She Was a Character in a Novel.

Mascha Sonnenburg is based on Máša Sonnenburg from Torsten Schönberg's “Wiener Schmarrn” stories. In “Der Piefkemörder,” she is one of the central characters alongside her brother Juri. The music project gives her perspective an artistic form of its own. The songs can be enjoyed independently of the novel; readers who know the stories will discover additional nuances.

The novel is available in German and English; there is no Slovak edition.

Mascha's Pictures

AI Photomontage